An exploration of music, art and film from Turner prize-winning artist Martin Creed and the London Sinfonietta

Take a trip into the world of artist Martin Creed, who gained public fame for his striking attitude to art and film with his Turner prize-winning installation The lights going on and off. Creed has now broadened his unique approach to include music, with a new band and singles such as Thinking/Not Thinking and Where You Go, described by NME as ‘the shortest single… in a long time’.

On Saturday 9 June, 7.30pm at  Purcell Room at Queen Elizabeth Hall  join the London Sinfonietta for two sets of music, with a programme featuring Axeman by Anna Meredith, a work that makes a solo bassoon ‘sound as much like a 1980s guitar-god as possible’, and the enigmatically-titled ‘______’ by Gerald Barry.

During the second set, expect words, music and film from Martin Creed and his band, including music from their upcoming album Love to You, and the world premiere of Work No.1375, Martin Creed’s new music for the London Sinfonietta.

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The London Sinfonietta’s first live Facebook Chat with conductor Nicholas Collon

Last week, the London Sinfonietta hosted their very first live Facebook Chat with conductor Nicholas Collon, who answered a range of questions on George Benjamin, conducting, and audiences.

Nicholas Collon joins the ensemble on Saturday 12 May, 7.30pm at Southbank Centre’s Queen Elizabeth Hall, for a programme of  George Benjamin and Ligeti, as part of Jubilation: the music of George Benjamin.

Here’s a selection of his answers from the chat…

Q: Fantastic to see Nick working with the London Sinfonietta again! I’d be interested to know whether the preparations he makes for conducting contemporary music are different to those for ‘standard ‘ repertoire?

A: I broadly treat my preparation of all scores and all music the same. Be it Beethoven or a totally new piece, I try to imagine I’m looking at it for the first time, even if it’s a piece everyone knows. Of course, some contemporary music takes a lot of working out; a piece like George Benjamin’s Antara is very complicated, and there are some things that the score can’t even tell you, such as what sounds the keyboards will produce. Equally, I’ve just spent all morning learning Ligeti’s Melodien, which starts off as unintelligble (it’s all in handwriting), and slowly becomes lucid.

Q: What made you decide to become a conductor and how did you get into the work?

A:  I have no idea what made me want to be a conductor. I think I have done since I was very little. I remember playing the violin in a youth orchestra aged 10, and I kept on turning round to look at the horns. I’ve just fulfilled my desire to be facing the other way – it’s much more fun!

Q: What excites you about contemporary music?

A: I love the imagination that you have to bring to a score to take it off the page, and the sense of daring and adventure in performance. There’s something thrilling about creating new sounds together with an ensemble, and I find the detail that is necessary in preparing a contemporary score and then realising that, rewarding.

Q: I’m new to the music of George Benjamin and coming to the London Sinfonietta concert in May. Do you have a favourite Benjamin work you’d recommend I listen to before the concert?

A: Hope you enjoy the concert! I’m a viola player, so I’m going to say Viola, Viola. It’s really wonderful. All his music is so imaginative. He said to me the other day that a composer’s job is to write the most beautiful music imaginable.

Q: And finally, what other plans have you got coming up?

A: I’m going to Munich next week for a nice but unusual programme with the Munich Chamber Orchestra, then back for the London Sinfonietta concert, and then I’m working with BBC Scottish Symphony Orchestra for some Strauss and the UK premiere of Philip Glass’ Sixth Symphony. So a busy few weeks. And a lot of time spent learning Ligeti and Benjamin! See you on the 12th May!

 

Listen to our Classical music blog for May Highlights

In this month’s podcast members of the Orchestra of the Age of Enlightenment discuss working with Sir Simon Rattle, and Vladimir Ashkenazy gives his personal perspective on Shostakovich’s Babi Yar Symphony. Plus a member of Spira mirabilis talks about the ensemble’s unique approach to Beethoven’s music.

JUBILATION: THE MUSIC OF GEORGE BENJAMIN

Celebrate the pioneering music of George Benjamin, one of the greatest British composers of the 20th century, during a weekend festival exploring his remarkable career on 12 & 13 May.

Described as one of “the most formidable composers of his generation” (New York Times), George Benjamin is renowned for his diverse repertoire of music rooted in harmony, inventiveness and meticulous craftsmanship. This retrospective is a unique opportunity to both hear and see the highly acclaimed composer, who will be present over the weekend as conductor and speaker, as well as to experience contemporary classical music at its’ most exhilarating.

The festival features performances by young musicians from the Royal Academy of Music and the London Sinfonietta, and will culminate with a performance of Benjamin’s invigorating work Jubilation (1985). This piece, originally commissioned by the Inner London Educational Authority for young performers, will be brought to life as George Benjamin conducts the Philharmonia Orchestra, as well as a specially formed youth choir and ensemble of local young musicians playing a vibrant mix of brass, percussion, recorders and steel pans.

Find out more about George Benjamin and his work through BBC Radio 4’s Start The Week

 To book tickets, click here

SOUTHBANK CENTRE CELEBRATES CONLON NANCARROW’S GROUND-BREAKING MUSIC

To celebrate the centenary of Conlon Nancarrow’s birth, Southbank Centre is hosting Impossible Brilliance: The Music of Conlon Nancarrow, a two-day festival taking place on 21 & 22 April in Queen Elizabeth Hall and the Purcell Room.

Described as “one of the most singular musical minds in history” (The Daily Telegraph), Conlon Nancarrow is remembered for creating some of the most rhythmically intricate music ever written through more than 50 etudes for the player piano – an instrument able to produce complex rhythms at a speed unplayable by human hands.

Although he is today considered one of the most innovative composers of 20th century music, Nancarrow’s musical achievements remained largely unrecognized until late in his lifetime. Early performances of his works frequently failed to impress as they eluded both musicians and audiences with their rhythmic complexity. His political leanings led to the composer being refused a US passport application in 1940 and he emigrated to Mexico where the contemporary music scene was no better equipped to do justice to his compositions. Frustrated with his career, Nancarrow decided to purchase a player-piano – if musicians couldn’t or wouldn’t play his “impossible music” then a machine could do the job instead.

To celebrate his unique brilliance, the festival will feature performances by the London Sinfonietta, the Arditti Quartet and Trinity Laban’s Contemporary Music Group, as well as the complete “Studies for Player Piano “performed on an original Marshall and Wendell Ampico reproducing piano, identical to Nancarrow’s own.

You can buy tickets from our website

 

Celebrate and see one of today’s greatest 20th century composers: George Benjamin

Hear contemporary classical music at its most exhilarating and inventive in a weekend celebration of George Benjmain. Find out more about George Benjamin through BBC 3’s Discover Music.

Listen to George Benjamin’s music at last fm

Watch our trailer of George Benjamin discussing the festival and his inspirations.

Book tickets and see George Benjamin conduct his Jubilation with the Philharmonia Orchestra and a full force of young children including choirs, brass band and recorders!

Listen to our classical music podcast for April highlights

Colin Currie premieres a powerful and imaginative new Percussion Concerto with the London Philharmonic Orchestra, John Wilson conducts the Philharmonia Orchestra in a performance Gilbert & Sulivan’s finest operetta The Yeomen of the Guard, and meet a player-piano who is the star of this year’s Nancarrow festival.